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Spencer Sweeney
Cunty Stroll
2022
Oil on canvas
61 × 50.8 cm
Yayoi Gunji
La Colombe d’Or
2020
Tempera on canvas
35 × 27 cm
Yayoi Gunji
Quai des États Unis
2020
Tempera on canvas
35 × 27 cm
Yayoi Gunji
Poulido
2022
Tempera on canvas
54.5 × 45.5 cm
Yayoi Gunji
The Jogger
2022
Tempera on canvas
54.5 × 45.5 cm
Yayoi Gunji
The Mirror Pool
2022
Tempera on canvas
41 × 32.5 cm
Yayoi Gunji
Chez Antoine
2022
Tempera on canvas
92 × 74 cm
Ellen Gronemeyer
Rezom
2018
Oil on canvas
70 × 80 cm
Dylan Solomon Kraus
City with the Pearl Gates
2022
Oil on linen
40 × 40 cm
Emily Sundblad
L’automne sur la Côte d’Azur
2022
Oil on canvas
27 × 22 cm
Nikki Katsikas
Afternoon in Cours Saleya
2022
Oil on canvas
25.4 × 35.6 cm
Nikki Katsikas
Last Day at the Eden Roc
2022
Oil on canvas
25.4 × 20.3 cm
Olivia van Kuiken
Untitled
2022
Oil on canvas
101.6 × 132.1 cm
Scott Reeder
In the Studio
2022
Oil on canvas
61 × 76.2 cm
Scott Reeder
Stoned Horse
2021
Oil on canvas
61 × 96.5 cm
Francesca Facciola
Gargoyle Romance, Reverse Harem, Sword Cross, So Much Knotting
2022
Oil on canvas
127 × 127 cm
Francesca Facciola
Guardian Gargoyle, Brave Men, My Hero, Never Give In
2022
Oil on canvas
127 × 127 cm
Lera Dubitskaya
Melt
2022
Oil and colored pencils on paper
10.6 × 14 cm
Lera Dubitskaya
Wander
2022
Oil and colored pencil on paper
11.4 × 14.9 cm
Cecilia Edefalk
Dandelion Red
2022
Oil on canvas
10 × 7 cm; 10 × 7 cm; 8 × 6 cm
Lydia Freier
Untitled
2022
Oil on unstretched canvas
27.9 × 35.6 cm
Marika Thunder
Yeshiva Chair
2022
Acrylic paint and concrete on canvas
50.8 × 40.6 cm
Philip Hinge
looking at you looking at me
2021
Acrylic on canvas
30.5 × 61 cm
Emily Drew Miller
Shell Collection I
2022
Oil and collage on canvas
25.4 × 50.8 cm
Cynthia Talmadge
Baroness of Sealand
2022
Watercolor on paper
27.9 × 20.3 cm
Lera Dubitskaya, Cecilia Edefalk, Francesca Facciola, Lydia Freier, Ellen Gronemeyer, Yayoi Gunji, Philip Hinge, Nikki Katsikas, Dylan Solomon Kraus, Olivia van Kuiken, Emily Drew Miller, Scott Reeder, Emily Sundblad, Spencer Sweeney, Cynthia Talmadge, Marika Thunder
This exhibition takes its title from a part of the year along the Côte d’Azur known by the locals as la saison creuse (the off-season), which lasts from October to late February. The seafront boulevards are calm and serene, the beaches are deserted, and many upscale restaurants and hotels shut their doors. This is the perfect time on the French Rivera for many who live here—a moment of authenticity in a place that is otherwise shaped by, and so dependent on, visitors from around the world. This is when we can wander for hours in the little magical alleys around Juan-les-Pins; explore the grand Belle Époque villas in Cimiez; find ourselves utterly alone in an olive garden around Saint-Paul de Vence; take in the vibrant red of the Estérel cliffs; or stroll in solitude through the medieval village of Eze, with its old churches, tiny walkways, and spectacular views of the Mediterranean. This is the season for solitary walks in the forests between Grasse and Mougins, or for experiencing the iconic Nice flower market with nary a foreigner around. Even while shops and some restaurants remain open, this is when, particularly around the beach towns like Villefranche-sur-Mer, Saint-Raphaël, or Fréjus, usually central hubs during the summer, a sensation of abandonment persists. We also find a darker, less intense, yet still magical light that paints the region into an oasis, temporarily removed from the rest of the world.
This exhibition explores sentiments of serenity, authenticity, and ghostly tranquility in a place that during its high season is brimming with life—indeed, with almost too much activity. It grasps the spirit of a region that is relaxing after a big tempest, the calm before the next inevitable storm. Many of the works capture the unique light of the Côte d’Azur and its lush vegetation, highly diverse landscapes, and extravagant architecture, yet also hint at the melancholy permeating this otherwise so lively place.
The exhibition will be accompanied by a book published by HMW Books, which will include all works by the artists as well as photographs taken along the French Rivera during la saison creuse.
Lera Dubitskaya, Cecilia Edefalk, Francesca Facciola, Lydia Freier, Ellen Gronemeyer, Yayoi Gunji, Philip Hinge, Nikki Katsikas, Dylan Solomon Kraus, Olivia van Kuiken, Emily Drew Miller, Scott Reeder, Emily Sundblad, Spencer Sweeney, Cynthia Talmadge, Marika Thunder
This exhibition takes its title from a part of the year along the Côte d’Azur known by the locals as la saison creuse (the off-season), which lasts from October to late February. The seafront boulevards are calm and serene, the beaches are deserted, and many upscale restaurants and hotels shut their doors. This is the perfect time on the French Rivera for many who live here—a moment of authenticity in a place that is otherwise shaped by, and so dependent on, visitors from around the world. This is when we can wander for hours in the little magical alleys around Juan-les-Pins; explore the grand Belle Époque villas in Cimiez; find ourselves utterly alone in an olive garden around Saint-Paul de Vence; take in the vibrant red of the Estérel cliffs; or stroll in solitude through the medieval village of Eze, with its old churches, tiny walkways, and spectacular views of the Mediterranean. This is the season for solitary walks in the forests between Grasse and Mougins, or for experiencing the iconic Nice flower market with nary a foreigner around. Even while shops and some restaurants remain open, this is when, particularly around the beach towns like Villefranche-sur-Mer, Saint-Raphaël, or Fréjus, usually central hubs during the summer, a sensation of abandonment persists. We also find a darker, less intense, yet still magical light that paints the region into an oasis, temporarily removed from the rest of the world.
This exhibition explores sentiments of serenity, authenticity, and ghostly tranquility in a place that during its high season is brimming with life—indeed, with almost too much activity. It grasps the spirit of a region that is relaxing after a big tempest, the calm before the next inevitable storm. Many of the works capture the unique light of the Côte d’Azur and its lush vegetation, highly diverse landscapes, and extravagant architecture, yet also hint at the melancholy permeating this otherwise so lively place.
The exhibition will be accompanied by a book published by HMW Books, which will include all works by the artists as well as photographs taken along the French Rivera during la saison creuse.
Lera Dubitskaya, Cecilia Edefalk, Francesca Facciola, Lydia Freier, Ellen Gronemeyer, Yayoi Gunji, Philip Hinge, Nikki Katsikas, Dylan Solomon Kraus, Olivia van Kuiken, Emily Drew Miller, Scott Reeder, Emily Sundblad, Spencer Sweeney, Cynthia Talmadge, Marika Thunder
This exhibition takes its title from a part of the year along the Côte d’Azur known by the locals as la saison creuse (the off-season), which lasts from October to late February. The seafront boulevards are calm and serene, the beaches are deserted, and many upscale restaurants and hotels shut their doors. This is the perfect time on the French Rivera for many who live here—a moment of authenticity in a place that is otherwise shaped by, and so dependent on, visitors from around the world. This is when we can wander for hours in the little magical alleys around Juan-les-Pins; explore the grand Belle Époque villas in Cimiez; find ourselves utterly alone in an olive garden around Saint-Paul de Vence; take in the vibrant red of the Estérel cliffs; or stroll in solitude through the medieval village of Eze, with its old churches, tiny walkways, and spectacular views of the Mediterranean. This is the season for solitary walks in the forests between Grasse and Mougins, or for experiencing the iconic Nice flower market with nary a foreigner around. Even while shops and some restaurants remain open, this is when, particularly around the beach towns like Villefranche-sur-Mer, Saint-Raphaël, or Fréjus, usually central hubs during the summer, a sensation of abandonment persists. We also find a darker, less intense, yet still magical light that paints the region into an oasis, temporarily removed from the rest of the world.
This exhibition explores sentiments of serenity, authenticity, and ghostly tranquility in a place that during its high season is brimming with life—indeed, with almost too much activity. It grasps the spirit of a region that is relaxing after a big tempest, the calm before the next inevitable storm. Many of the works capture the unique light of the Côte d’Azur and its lush vegetation, highly diverse landscapes, and extravagant architecture, yet also hint at the melancholy permeating this otherwise so lively place.
The exhibition will be accompanied by a book published by HMW Books, which will include all works by the artists as well as photographs taken along the French Rivera during la saison creuse.
Lera Dubitskaya, Cecilia Edefalk, Francesca Facciola, Lydia Freier, Ellen Gronemeyer, Yayoi Gunji, Philip Hinge, Nikki Katsikas, Dylan Solomon Kraus, Olivia van Kuiken, Emily Drew Miller, Scott Reeder, Emily Sundblad, Spencer Sweeney, Cynthia Talmadge, Marika Thunder
This exhibition takes its title from a part of the year along the Côte d’Azur known by the locals as la saison creuse (the off-season), which lasts from October to late February. The seafront boulevards are calm and serene, the beaches are deserted, and many upscale restaurants and hotels shut their doors. This is the perfect time on the French Rivera for many who live here—a moment of authenticity in a place that is otherwise shaped by, and so dependent on, visitors from around the world. This is when we can wander for hours in the little magical alleys around Juan-les-Pins; explore the grand Belle Époque villas in Cimiez; find ourselves utterly alone in an olive garden around Saint-Paul de Vence; take in the vibrant red of the Estérel cliffs; or stroll in solitude through the medieval village of Eze, with its old churches, tiny walkways, and spectacular views of the Mediterranean. This is the season for solitary walks in the forests between Grasse and Mougins, or for experiencing the iconic Nice flower market with nary a foreigner around. Even while shops and some restaurants remain open, this is when, particularly around the beach towns like Villefranche-sur-Mer, Saint-Raphaël, or Fréjus, usually central hubs during the summer, a sensation of abandonment persists. We also find a darker, less intense, yet still magical light that paints the region into an oasis, temporarily removed from the rest of the world.
This exhibition explores sentiments of serenity, authenticity, and ghostly tranquility in a place that during its high season is brimming with life—indeed, with almost too much activity. It grasps the spirit of a region that is relaxing after a big tempest, the calm before the next inevitable storm. Many of the works capture the unique light of the Côte d’Azur and its lush vegetation, highly diverse landscapes, and extravagant architecture, yet also hint at the melancholy permeating this otherwise so lively place.
The exhibition will be accompanied by a book published by HMW Books, which will include all works by the artists as well as photographs taken along the French Rivera during la saison creuse.
Spencer Sweeney
Cunty Stroll
2022
Oil on canvas
61 × 50.8 cm
Yayoi Gunji
La Colombe d’Or
2020
Tempera on canvas
35 × 27 cm
Yayoi Gunji
Quai des États Unis
2020
Tempera on canvas
35 × 27 cm
Yayoi Gunji
Poulido
2022
Tempera on canvas
54.5 × 45.5 cm
Yayoi Gunji
The Jogger
2022
Tempera on canvas
54.5 × 45.5 cm
Yayoi Gunji
The Mirror Pool
2022
Tempera on canvas
41 × 32.5 cm
Yayoi Gunji
Chez Antoine
2022
Tempera on canvas
92 × 74 cm
Ellen Gronemeyer
Rezom
2018
Oil on canvas
70 × 80 cm
Dylan Solomon Kraus
City with the Pearl Gates
2022
Oil on linen
40 × 40 cm
Emily Sundblad
L’automne sur la Côte d’Azur
2022
Oil on canvas
27 × 22 cm
Nikki Katsikas
Afternoon in Cours Saleya
2022
Oil on canvas
25.4 × 35.6 cm
Nikki Katsikas
Last Day at the Eden Roc
2022
Oil on canvas
25.4 × 20.3 cm
Olivia van Kuiken
Untitled
2022
Oil on canvas
101.6 × 132.1 cm
Scott Reeder
In the Studio
2022
Oil on canvas
61 × 76.2 cm
Scott Reeder
Stoned Horse
2021
Oil on canvas
61 × 96.5 cm
Francesca Facciola
Gargoyle Romance, Reverse Harem, Sword Cross, So Much Knotting
2022
Oil on canvas
127 × 127 cm
Francesca Facciola
Guardian Gargoyle, Brave Men, My Hero, Never Give In
2022
Oil on canvas
127 × 127 cm
Lera Dubitskaya
Melt
2022
Oil and colored pencils on paper
10.6 × 14 cm
Lera Dubitskaya
Wander
2022
Oil and colored pencil on paper
11.4 × 14.9 cm
Cecilia Edefalk
Dandelion Red
2022
Oil on canvas
10 × 7 cm; 10 × 7 cm; 8 × 6 cm
Lydia Freier
Untitled
2022
Oil on unstretched canvas
27.9 × 35.6 cm
Marika Thunder
Yeshiva Chair
2022
Acrylic paint and concrete on canvas
50.8 × 40.6 cm
Philip Hinge
looking at you looking at me
2021
Acrylic on canvas
30.5 × 61 cm
Emily Drew Miller
Shell Collection I
2022
Oil and collage on canvas
25.4 × 50.8 cm
Cynthia Talmadge
Baroness of Sealand
2022
Watercolor on paper
27.9 × 20.3 cm